Make the Bold Choices

Bold choices aren’t comfortable. I’d argue that if they are, they aren’t bold enough. Making a bold choice comes with a tidal wave of emotions, from doubt to elation. It did for me. But as the wave recedes and I am left with the results of those choices, I can see them for the benefit they are, despite the sting of the moment.

The first big choice was standing up for my work with a publishing house that didn’t fit my needs or expectations. Rather than continue to push for something they weren’t willing to give, I made a bold choice. And this one was frightening. I pulled contracts for upcoming work so I could find them a home that was a better fit. Now, this wasn’t easy for an author to do. Isn’t getting a publishing contract what we all want? What some never get? And here I was throwing that away. What’s wrong with me, you ask? Nothing. I knew it wasn’t the right fit, and I hoped I would find the right one. If not, well, I knew I had still done the right thing. Just as I was beginning to have glimmers of doubt as time passed and rejections came in after submitting my work to agents and publishers, the bold choice came through for me. A new contract with a publisher I’m excited to work with that is doing all the things I felt I needed to be successful and happy with a publisher. Make the bold choice. And then, be consistent and patient.

Another bold choice came recently when I needed to set some boundaries. Having learned from my past of being too available and accommodating for my own good, I stood my ground for what I believe in. There was a moment of upheaval and lots of questions from those friends on the sidelines, but I know I made the right bold choice. Being able to say I did what I knew was right and healthy for me is a great feeling. In the process of standing my ground for my priorities, I did lose an opportunity to do something I loved. However, because of the bold choice, something even bigger came along that I now had the time and space to pursue. Make the bold choice. And then, be open to new possibilities you never saw coming.

Making bold choices may cause you to lose some people in your life or remove some things you’ve become comfortable with. They can shake you up and shake up others. However, following your conviction and doing what is right for you can feel amazing. There is power in taking your success in your own hands. Whether it pays off or not isn’t really the point of the bold choice. It’s putting yourself in a position where things can happen, not guaranteeing that they will. That, in itself, is liberating.

I’ve cut out some drama, freed up some time, and taken advantage of the opportunities that have come my way as a result. I’ve never been one to make bold choices before. I’ve carefully weighed options and generally resigned myself to the familiar. But, the feeling of making that bold choice, the elation, nervousness, and excitement for what may come, is worth any fears and upheaval. My choices, bold and small, are my own. Knowing that is empowering, even if those choices are the wrong ones. Make the bold choices. They may be wrong, but they may just as easily be very right.

Book Launch: Crescent City Moon – Excitement and Fear

img_0390It’s been a crazy busy week launching Crescent City Moon, my paranormal mystery set in the heart of 1820s New Orleans, but such a fun one! There is so much to do, but also lots of cool things that happen when a book launches! Facebook group takeovers, giveaways, and the excitement of getting reviews in! I’ll be honest, though, it’s also a little scary! As an author you experience a roller coaster of emotions, even negative ones, as your dreams materialize into ink and paper. What if no one likes it and I’ve spent years working on this for nothing? What if no one buys it? What if…what if…what if….

Then, there’s the flip side of the coin. What if it takes off like a rocket?

Who knows what will happen? All I know is that I just signed my first official copy of a book sold on Amazon!

And it feels amazing!

One day, my feet will touch the ground again. One day, I won’t be bombarding my friends and family with news about Crescent City Moon. Of course, that will be because it will be Spring and Sylvie’s Pen will be launching! Seriously, though. Well….

Thank you to all of those who have made this an amazing journey and are all along for the ride as it takes me to new places!

Much love,


Interview with Author Elgon Williams

Homer Underby.PNGRecently, I had the opportunity to interview the wonderfully creative author Elgon Williams. His newest book, Homer Underby, is the second book in the Becoming Thuperman series and is available here.


Nola: How would you describe your books to a reader unfamiliar with what you write?

Elgon: Anything is possible, though the books are deceptively realistic fantasy. I’m told the dialogue is what drives that. My characters exist in a universe I’ve fashioned over the years that borrows some of the rules from our universe, though not everything. Magic is real, just only the people with magic inside of them know about that – same as in our world.

Nola: What book have you read that really stuck with you? Why?

Elgon: I was reminded of LOOKING INTO THE SUN by Todd Tavolazzi because it’s audiobook just came out recently. I read it a couple of years ago. It’s a story about the Syrian Conflict, told in a gripping way that’s hard to forget.

Nola: What underrated book do you think everyone should read?

Elgon: By underrated, I guess you mean an undiscovered gem. There’s a German author who writes Viking romance novels. I never realized that was a genre, but it piqued my interest. She writes beautifully in both English and German. Her name is Sarah Dahl. Take your pick of stories. They’re all good.

Nola: Your books have some wild characters and plots. What do you draw from for inspiration?

Elgon: Like every writer out there, some of the oddest things inspire me. I’ve had several muses. One is responsible for my Wolfcat Chronicles series. She’s a real person, just we have never met in person. We came close when I was in California, but our schedules didn’t mesh. It will happen eventually, though. What inspired me about her was her unique view of the world. Despite having a rough go of it, she is one of the most positive people I know.

Fried Windows erupted from an attempt to write a poem about my childhood. As bright and positive as most of that book is, personally I was going through a dark time. So, writing it was cathartic.

The Thuperman Trilogy began as an idea the appeared in a conversation between two characters in another, as yet unpublished, manuscript. It simmered and bubbled in the background waiting for me to be on a bus in Normal, IL. I was text messaging with a friend, giving her a progress report on my trip. She asked where I was. When I told her, she said, “Oh, you’re nowhere near normal, Mister.” I decided, what a perfect place for two budding superheroes to live.  I wrote it the following summer while I was waiting on the edits for FRIED WINDOWS.

Nola: When you’re writing, do you focus on trends in the publishing world that “sell,” or do you write what speaks to you regardless of sales trends?

Elgon: I know some authors try to do that, write to the trend. Maybe that’s why some are more successful than others. But it seems to me that you’d have to be a lot more prolific than I am to crank out something to match whatever the current fad is and rush it through editing before the demand faded. Alternatively, it would be great luck to anticipate a trend and write for it, timing it just right. As bizarre as my mind is, it doesn’t work that way. I write what wants to be written, because if I don’t there is a real danger I’ll explode.

Nola: What conferences or Cons have you gone to, and what were your take-aways as a writer or marketing director?

Elgon: I’ve attended several fantasy related cons, like Mega Con in Orlando and C2E2 in Chicago. Those are huge events with lots of distractions, cosplay and just plain fun. A new author should go to those with the expectations of making some contacts and gaining some exposure. Smaller venues are better suited to building relationships with readers, pitching and selling a few books. Writers should focus on conferences in their genre, doing workshops, and sitting on panels – that sort of thing. That’s useful in establishing your credibility as an author. If your genre fits into a convention’s theme, you have a better chance at covering your expenses. Having said that, the last day of the con is where most of the buyers are, but the bargain hunters are also out in force, looking for someone desperate to avoid hauling boxes of books home with them. As a marketing director, I’d tell you to set specific goals for whatever you decide to spend your money on. Your primary goal is always to gain exposure for your work and establish a strong brand.

Nola: Most writers have tons of book ideas floating around in their heads. How do you decide which project to tackle next?

Elgon: Whichever idea shouts the loudest gets my attention. But that doesn’t mean the others get left behind, just that they need to develop a louder voice. Sometimes you write things that end up unfinished. But then you go back to it a few months or years later and finish it. That happens a lot with me. Also, some of my ideas twist and converge with others and the result is a better story.

Nola: You have an adorable new grandson. If he wanted to become a writer, what advice would you give him?

Elgon: Honestly, I’d steer him toward doing anything else. But if he inherited the gene, that’s not an option. Writing can be rewarding but it’s usually a lonely profession. If he decides to pursue it, I’d tell him to read a lot, read something every day before ever trying to write a story. I’d tell him to learn the different ways authors present their stories. Too many times writers get down in the weeds of whether this or that is correct instead of focusing on what best conveys the idea or expresses the message.

Sometime between the 7th grade and the 10th grade, I think you know whether you’re going to be a writer. Your teachers may or may not realize it, but you know you have the bug.  You’ve spent a lot of time and effort in school assimilating the basics of sentence construction and learning how to put together a paragraph. Writing a story is a matter of continuing from one idea to the next until it feels completed.

I’d tell him that he needs to expand his vocabulary, because honestly each word exists for a reason and few are interchangeable in capturing what one needs to say. Don’t misuse the thesaurus. I’d tell him not to put too much pressure on himself, just write something everyday and see where the journey leads. And have a backup plan for making enough money to live on because it’s tough out there.

Nola: Some writers have bad habits they must edit out of their writing or writing process (I overuse the word ‘that’). What habit have you had to break?

Elgon: I’m told my writing tends to be too conversational, which I don’t see as a bad thing. It makes it easier to read, I think. But I overuse very, actually and really. I go through my manuscript before submitting it and search for those words and decide whether they are necessary. Every writer has a pattern for their author’s voice. It helps get the story out. But it needs to be adjusted so that it is most effective in conveying the story to a reader. A good editor can help.

Nola: What does your writing process look like? (Do you have a special spot or routine?)

Elgon: I can write anywhere at any time. It hasn’t always been that way, but I have learned to do it. It’s good because I have moved around a lot in the past few years since becoming a full-time author. Having said that, I have a place where I always write, at my desk. I have a laptop, but the only time I use it as a portable device is when I am traveling – as in going to visit someone for a few days. I write best first thing in the morning. That doesn’t mean it’s the only time I write, just that’s when I usually do it. I tend to edit or revise in the evening.

Nola: You’ve just launched a book out into the world. What project is on deck for you?

I have several manuscripts I’ve submitted to Pandamoon Publishing. The next one in the pipeline is the first of The Wolfcat Chronicles. There is also a third book of The Thuperman Trilogy that should be going into edits soon. And there is a sequel to Fried Windows.

My current project is a paranormal detective thing that is set in the same universe as FRIED WINDOWS and BECOMING THUPERMAN. In fact, Brent Woods and the adult versions of Will and Sandra appear in the book, though they aren’t the main characters. This one is about a badass cop who has a knack for solving tough cases.

Nola: Let’s get controversial: Tacos or pizza? Tea or coffee?

Elgon: Taco Pizza! Why is that not a thing?  And it’s tea. I don’t do coffee. I may be the only writer I know who doesn’t have an affection (if not addiction) for coffee, but I never developed the habit. I got used to drinking tea when I was in Asia and, even if I don’t have a habit of drinking it either, whenever I order something with a meal at a restaurant, it is unsweetened tea. I’m weird like that.

Stormy Weather

grey white clouds
Photo by Pixabay on

~ Reblog from here.
Tis the season. No, not for silver bells and angel choruses. Tis the season for tornado sirens and the grating beep of the Emergency Alert System. Spring storm season. I have to admit, it’s one of my favorites. Don’t get me wrong. I’m not saying tornadoes are fun and hurricanes are thrilling. But, I’m a sucker for a good thunderstorm.
On the outskirts of Baton Rouge, there’s an orange brick ranch house at the top of a t-junction in a suburban neighborhood. On one side is a garage and workshop built by the hands of my daddy. Across the back of that house, only barely missed by the 40-foot pine tree that Hurricane Andrew took down, is a concrete slab patio with a wavy aluminium awning. How it didn’t go flying in Andrew, I’ll never know, but I’m glad for that. Underneath that awning were the chairs that my daddy and I used to sit in and watch the afternoon storms you could almost set your watch by.
Steamy Louisiana air would shift and swirl, getting cooler by degrees as the sky darkened. In the distance, the deep bass of thunder would roll. Bugs would find shelter and birds would get quiet letting the thunder have its solo. Beat by beat, slow at first, then faster and more insistent, the percussion of the rain on that metal awning would pound in deafening duet with the crashing thunder. We didn’t just hear it; we felt it. It rattled our bones as the electricity in the air stood the tiny hairs on our arms up. Lightning rocketed across the sky. Wind whipped a spray of fresh mist on our faces, cool and soft. Gentle contrast to the rage of the storm above us.
Slowly, the musicians would tire and the storm would calm to a delicate patter. Then, a slow drip as the final gentle rumbles faded in a soft decrescendo in the distance. The air shifted again as the sun broke through the clouds. Bugs took flight, and birds chirped their songs once more. Steam rose from the wide blades of St. Augustine grass that glittered with the drops it cradled.
Not a word was ever said by me or my daddy. We sat together in silence letting the storm have its moment, knowing nothing we said could hold a candle to the beautiful power of the storm.
So, bring on storm season and the memories of Mother Nature’s symphony.


Writers and Day Jobs: Strange Bedfellows

This month’s post for my publisher has to do with the necessary evil: making ends meet with a day job. But, it doesn’t have to be a total waste of time away from the writing we all love. Let me explain: (following originally published in a post here.)

macbook pro on desk
Photo by on

All I really want to do is write all day. Even the editing part. Hell, even the writing the book synopsis part. But I can’t. I have a day job.
Lots, ok most, writers have day jobs. We toil away in our cubicles, behind our cash registers, or in our classrooms while story plot lines untangle themselves in our minds only to be knotted beyond recognition by the time we can sit in front of our keyboards again. I’m as guilty as the next writer of grumbling about it and pining my life away for the elusive “I write for a living” holy grail.
Since there doesn’t seem to be a winning lottery ticket or massive inheritance in my near future, I have to go to work, but I don’t have to have such a narrow view of it. You see, as a writer, work can be a microcosm of characters.
My parents and I were very active in our community theaters when I was growing up. Mom and I were the only ones on stage and would go to the malls, coffee shops, and other public places to “people watch” when we were figuring out what our characters needed to talk like or move like. We mentally collected walks, postures, accents, speech patterns, and facial expressions to distribute to the various characters we played over the years. As a writer, I find myself doing the same thing. So, why leave that skill at the malls and coffee shops? Why not take that skill to work to give my written characters the same life?
I have a unique advantage. Maybe only people who work at the malls, movie theaters, and other adult-run kid hangouts have a better advantage. You see, I teach middle school. What does that mean for my character research? I have a wide range of ages in the adults in the building and the kids in the halls and classrooms to study. The variety of language, speech patterns, social interactions, body language, and clothes to describe is vast. Stereotypes are knee deep and unique personalities surround me every day. I may be doing the teaching, but I’m also studying. Just not the stuff in the books.
Think of all the weirdo coworkers you have. Or not weirdos. Maybe just the normal people that have a way of moving, talking, dressing, laughing, that you’d know anywhere. Give those things to your characters to give them authentic life. To remind a reader of someone they met once at the DMV. A kid they were behind in the movie theater concession stand line over-trying to impress the girl from algebra class who happened to be in line ahead of him. Make them real and relatable by giving them features from real people.
The best part of doing character studies at work is that things are constantly changing with people even in mundane jobs. There’s always something new you can use. People change their habits with stress, joy, frustration, illness, or a great date the night before.
Work may take you away from putting words on a page, but it won’t keep you from giving your characters their special quirks, if you’re paying attention.